Review

"In whose time do you and the work of art exist? Pamela Lee has written the founding question for a new criticism."
—Molly Nesbit, Department of Art, Vassar College

"Pamela Lee's ambition in Chronophobia is both daring and bold: to trace a rupture in the experience of time during the 1960s. In doing so she demonstrates that the phenomenological 'revolution' of the 1970s that she explored in her book on Matta-Clark cannot be divorced from the various social, technological, and philosophical revolutions of the previous decade. Chronophobia revises our pieties about time as it promises to reshape the field of sixties art."
—David Joselit, Professor, History of Art, Yale University

From the Inside Flap

"Pamela Lee's ambition in *Chronophobia* is both daring and bold: to trace a rupture in the experience of time during the 1960s. In doing so she demonstrates that the phenomenological 'revolution' of the 1970s that she explored in her book on Matta-Clark cannot be divorced from the various social, technological, and philosophical revolutions of the previous decade. *Chronophobia* revises our pieties about time as it promises to reshape the field of sixties art." --David Joselit, Professor, History of Art, Yale University

"In whose time do you and the work of art exist? Pamela Lee has written the founding question for a new criticism." --Molly Nesbit, Department of Art, Vassar College